The Collective Dream: Boundaries and the City

And The City | Hagar Abiri

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Paul Rabinow interviews Michel Foucault about his interview for the Herodotus[1]. In reply to Rabinow’s question about the political nature of architecture at the end of the 18th century, Foucault says that in the 18th century we start seeing political literature about techniques for governance in society where architecture and urbanism play an important role. Authors begin reflecting deeper on the social order, asking “What is a city?”, discussing the need to eradicate epidemics, prevent coups and promote family life (according to accepted morality of the 18th century), addressing representation of the collective, infrastructure and how to build houses.

Architecture has always been a tool in the hand of governors, priests and those who wish to demonstrate or communicate power. In the current search for an architecture that represents the period and free democratic regimes, it is important to examine not only the style, but the whole procedure and the relevance of local politics that outline the boundaries and planning conditions.

The Berlin Palace

The Stadtschloss, also known as the Berlin Palace, is the perfect example to start this paper with. It has it all: layers of historical conflicts and power demonstration through architecture. It tells the story of the city but also demonstrates a national identity conflict of the whole German nation. It expresses the evolution of private-civic initiatives in a strategic location that shapes the heart of the city, metaphorically and literally.

Since its completion in 1443, and until 1918, the Berlin Palace was the home of the monarchy and the Prussian center of power. During the Weimar Republic (1918-1933), the palace was used partly for state purposes but also as a public museum. In 1945 under the Nazi regime and during the Second World War, the building suffered severe damage. However, its structure and content remained sound and could be restored. In fact, the building was partly repaired and was used as an exhibition space. Although recent documents from 2016 reveal the intentions of the GDR to reconstruct the palace, it was ultimately demolished in 1950. The demolition took much effort and 19 tons of dynamite. Along with the decision to preserve the original balcony of the palace[2] and to attach it to the Council of State building, and to assign a new purpose to the empty plot as a parade area called Marx-Engels Square[3], it is the inevitable conclusion that the demolition of the palace was a political decision that sought to demonstrate governmental power.

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[1] “Des Espaces Autres”, Michel Foucault / Translation series in Resling Publication, translation by Ariela Azoulay, Resling, Itamar Ben-Zvi 1, Tel-Aviv.
[2] The balcony from which Karl Liebknecht declared the German Socialist Republic
[3] Summery from
[4] Berlin’s Stadtschloss and the trouble with history/ F. Studemann, Financial Times, September 13, 2019.
[5] Berlin's Search for a "Democratic" Architecture: Post-World War II and Post-unification / Deborah Howell-Ardila, Berkeley, California.
[6] From the Freude des Mauerparks e.V.
[7] From the Freude des Mauerparks e.V.
[8] “The Wilhelmine Ring is the name for a belt of distinctive multi-occupancy rental housing blocks constructed in the second half of the 19th century around the historic city center of Berlin. It is characterized by a dense settlement pattern with four- to five-story residential buildings with side and rear wings around an inner courtyard.” (
[10] Story of cities #37: How radical ideas turned Curitiba into Brazil’s ‘green capital’/ David Adler, Cities, The Guardian Friday, May 6, 2016
[11] Story of cities #37: How radical ideas turned Curitiba into Brazil’s ‘green capital’/ David Adler, Cities, The Guardian Friday, May 6, 2016
[12] Story of cities #37: How radical ideas turned Curitiba into Brazil’s ‘green capital’/ David Adler, Cities, The Guardian Friday, May 6, 2016
[13] From a conversation with a colleague working in Lerner’s office August 17, 2020.