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Credits
Terreform ONE – Mitchell Joachim, Peder Anker, Melanie Fessel, Paul D. Miller, aka DJ Spooky

Studio
Vivian Kuan (Executive Director), Julie Bleha

Design
David Paraschiv, Emily Young, Sky Achitoff, Avantika Velho, JJ Zhijie Jin

Science
Oliver Medvedik, Sebastian Cocioba

Collaborators
Wendy W. Fok, WE-DESIGNS

Media
Michelle Alves de Lima

Structural engineering
Justin Den Herder, PE, TYLIN; Robert Silman Assoc. Structural Engineers

Research
Marina Ongaro, Ava Hudson, Nicholas Lynch, Jerzelle Lim, Helen Gui

Sponsors
U.S. National Endowment for the Arts, NYU Global Research Initiatives Office of the Provost, Oslo School of Architecture and Design, Rheinmain University of Applied Sciences

Special thanks from authors
Carlo Ratti, Curator, Venice Architecture Biennale 2025; Victoria Rosner, Dean of Gallatin, New York University

Coding Plants: An Artificial Reef and Living Kelp Archive

Terreform ONE

On the left – NATURE AS MEDIUM: Engineered vegetation showcases plants as potential programmable infrastructures On the right – METABOLIC CITY: Urban environments grow, adapt, and metabolize- guided by the DNA of living forms.
Data storage in kelp genetics – HYBRID NATURE, GENETIC MACRO-ALGAE AGRICULTURE DIAGRAM

This is a neo-natural kelp reef where architectural records are transformed into edible proteins. Encased in air-tight vitrines, a collection of suspended, dried seaweed specimens showcases a transgenic process. Scientists have embedded encoded information—texts, images, and drawings—directly into the genetic material of this engineered vegetation, effectively turning the reef into a living, edible library. The 3D model at the center of the reef physically represents the phrase Form Follows Function, ciphered in the AGTC sequence of DNA. At the planetary scale, the system unites two powerful sinks: carbon sequestration and cold data storage.

Kelp is one of the largest carbon sequestration systems in the ocean, the project combines this with cloud based cold storage. The title Coding Plants reflects our vision of embedding digital information into living systems to transform how we design and build. A single gram of plant DNA can theoretically store up to 215 million gigabytes of data. The project articulates a dual premise: the encoding of semantic and spatial information within botanical systems, and the broader implication of living matter as programmable infrastructure. While kelp is technically a macroalgae, not a plant, we use the term “plants” broadly—referring both to botanical life and to systems of production, as in “manufacturing plants.” Kelp serves as our transgenic prototype due to its ecological value and its potential for DNAbased data storage. The name signals a future in which living organisms—plant or otherwise—become computational, functional elements of architecture.

In the future, libraries won’t be built, but grown. Botanical organisms will be genetically augmented to store the knowledge of specific architectural forms—houses, bridges, communal spaces, and more— that can be extracted and used to challenge polluting construction methods. The goal is to design urban environments that adapt and evolve in balance with their surrounding metabolism. Plants will function as living archives, encoding detailed information within their DNA, allowing users to guide and influence their growth and structural form. This approach integrates radical sustainability directly into a semi-natural ecosystem, creating a harmonious blend of hybrid nature and human innovation.

Coding Plants is a synthetic living reef that serves as the ultimate archive of design knowledge. By embedding complex architectural intelligence into live organisms, Coding Plants proposes a climate positive agenda in which nature is empowered at the genetic level. While this vision may appear speculative, it is grounded in recent breakthroughs in genetic engineering. This approach heralds a fertile architecture that reimagines conventional building practices while fostering resilience, adaptability, and ecosystem integration.

Cloud data storage and ocean CO2 sink
Design data into DNA
On the left – KELP AS CODE, DNA SYNTHESIZING: Chosen for its ecological power and storage potential, kelp becomes the prototype for fertile architecture. Key images from lab sequencing experimentation. On the right – DNA TRANSFER CYCLE DIAGRAM
On the left – GENETIC FENCE/ GLASS VITRINES: A synthetic kelp reef where knowledge is encoded in DNA. At the planetary scale, the system unites two powerful sinks: carbon sequestration and cold data storage. On the right – CODED IN THE REEF: A 3D protein model encodes ‘Form Follows Function’ in genetic sequencing- AGTC structural configuration at larger scale.
On the left – LIBRARIES WILL BE GROWN: No longer built from bricks, future archives will photosynthesize. Growth replaces construction. On the right – BOTANICAL ARCHIVES: Suspended seaweed speciments store texts, drawings and data- transformed into living memory.
On the left – CODEX KELP: A hybrid specimen: scientific relic, architectural artifact, and climate-responsive prototype. On the right – VERTICAL SCAFFOLDING, ELEVATION VIEWS: Long profiles account for the vertical growth patterns, naturally found in kelp, to be able to root well in the ground and reach towards the surface level for light.
Material science studies
On the left – GROWN ARCHIVE: Rooted in photosynthesis and gene editing, not carbon and concrete. Glass vitrines serve as genetic fencing for the cold data storage. On the right – MODULAR ORIENTATION, PLAN VIEW: Constructed in modular components, the designed system is transportable and employable with more ease.

 

Credits
Terreform ONE – Mitchell Joachim, Peder Anker, Melanie Fessel, Paul D. Miller, aka DJ Spooky

Studio
Vivian Kuan (Executive Director), Julie Bleha

Design
David Paraschiv, Emily Young, Sky Achitoff, Avantika Velho, JJ Zhijie Jin

Science
Oliver Medvedik, Sebastian Cocioba

Collaborators
Wendy W. Fok, WE-DESIGNS

Media
Michelle Alves de Lima

Structural engineering
Justin Den Herder, PE, TYLIN; Robert Silman Assoc. Structural Engineers

Research
Marina Ongaro, Ava Hudson, Nicholas Lynch, Jerzelle Lim, Helen Gui

Sponsors
U.S. National Endowment for the Arts, NYU Global Research Initiatives Office of the Provost, Oslo School of Architecture and Design, Rheinmain University of Applied Sciences

Special thanks from authors
Carlo Ratti, Curator, Venice Architecture Biennale 2025; Victoria Rosner, Dean of Gallatin, New York University

urbanNext (February 17, 2026) Coding Plants: An Artificial Reef and Living Kelp Archive. Retrieved from https://urbannext.net/coding-plants-an-artificial-reef-and-living-kelp-archive/.
Coding Plants: An Artificial Reef and Living Kelp Archive.” urbanNext – February 17, 2026, https://urbannext.net/coding-plants-an-artificial-reef-and-living-kelp-archive/
urbanNext July 17, 2025 Coding Plants: An Artificial Reef and Living Kelp Archive., viewed February 17, 2026,<https://urbannext.net/coding-plants-an-artificial-reef-and-living-kelp-archive/>
urbanNext – Coding Plants: An Artificial Reef and Living Kelp Archive. [Internet]. [Accessed February 17, 2026]. Available from: https://urbannext.net/coding-plants-an-artificial-reef-and-living-kelp-archive/
Coding Plants: An Artificial Reef and Living Kelp Archive.” urbanNext – Accessed February 17, 2026. https://urbannext.net/coding-plants-an-artificial-reef-and-living-kelp-archive/
Coding Plants: An Artificial Reef and Living Kelp Archive.” urbanNext [Online]. Available: https://urbannext.net/coding-plants-an-artificial-reef-and-living-kelp-archive/. [Accessed: February 17, 2026]

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