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\n \n Architects: Triptyque<\/a><\/br>\r\nPhotography: Ma\u00edra Acayaba and Edu Castello <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects:\u202fAMB<\/a>(Roger M\u00e9ndez)\u00a0<\/br>\r\nPhotography: Marcela Grassi <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: ateliers o-s<\/a><\/br>\r\nPhotography: Cyrille Weiner<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay excerpted from .able journal<\/a> by Karen Holmberg, Andr\u00e9s Burbano, Constanza G\u00f3mez, Javiera Letelier, Amy Donovan, Julie Morin, Rory Walshe, Thierry Dupradou & Pierre Puentes, edited by Samuel Bianchini, distributed by Actar Publishers<\/a>.\r\n\r\nLearn more: \r\n .able journal <\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Julian Breinersdorfer Architekten<\/a>, Angela Maurice and Jose Baganha<\/br>\r\nPhotography: Francisco Nogueira<\/a>, Guillaume Bonn and Julian Breinersdorfer\r\nLearn more: Factory Lisbon<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Yunchao Xu\/Atelier Apeiron<\/a><\/br>\r\nPhotography: Schran Image <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Haller Gut architects<\/a><\/br>\r\nPhotography: Karina Castro<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: LSMA<\/a><\/br>\r\nPhotography: Bruce Damonte, Richard Barnes <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Gray Organschi Architecture<\/a> <\/br>\r\nLocation: Connecticut, USA <\/br>\r\nArea: 2343 m2<\/sup><\/br>\r\nYear: 2016 <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: RAUM<\/a><\/br>\r\nPhotography: Charles Bouchaib<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Arenas Basabe Palacios<\/a><\/br>\r\nPhotography: Kurt Hoerbst<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: [Y\/N] Studio<\/a><\/br>\r\nPhotography: French + Tye<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: feld72<\/a><\/br>\r\nPhotography: Hertha Hurnaus<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: MWArchitekten<\/br>\r\nPhotography: Adolf Bereuter <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview by Marta Bug\u00e9s\r\nFilmed by Rub\u00e9n Molina and Gabriel Sastre\r\nVideo edition by Evgenyia Barashkova\r\n\r\nSpecial thanks to the Col\u00b7legi de Camins for facilitating the recording of this interview. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: RAUM<\/a><\/br>\r\nPhotography: Charles Boucha\u00efb<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects:\u202fAMB<\/a> (Blanca Noguera)<\/br>\r\nPhotography: Sim\u00f3n Garc\u00eda<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Studio Gang<\/a><\/br>\r\nPhotography: Iwan Baan<\/a> and Alvaro Keding<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview conducted by Roger Paez.\r\nContent editing by Gloria Sch\u00f6nburg.\r\nVideo editing by Sara Traba. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Shma<\/a><\/br>\r\nPhotography: ARCH-EXIST <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: U \/ U studio<\/a> and re-place<\/a><\/br>\r\nPhotography: Ji\u0159\u00ed Kotal<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay by \u00e0 la sauvette<\/a> excerpted from L\u2019Atelier Magazine, EPFL. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay excerpted from Spatial Infrastructure<\/a> by Jos\u00e9 Arag\u00fcez, published by Actar Publishers<\/a>. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay excerpted from Landscape Tunings<\/a> by Silvia Benedito and Alexander H\u00e4usler, published by Actar Publishers<\/a>. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay by Ezio Manzini, Albert Fuster and\u00a0Roger Paez.<\/br>\r\nExcerpted from Plu-ins<\/a> by Ezio Manzini, Albert Fuster and\u00a0Roger Paez,\u00a0published by Actar Publishers<\/a>. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Meritxell Inaraja<\/a><\/br>\r\nPhotography: Adri\u00e0 Goula<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: AMB<\/a> (\u00c1lvaro Sainz)<\/br>\r\nPhotography: Sim\u00f3n Garc\u00eda<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview by Marta Bug\u00e9s.<\/br>\r\nRecorded by Candela De Bortoli and Gloria Sch\u00f6nburg.<\/br>\r\nEdited by Evgenyia Barashkova. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Landlab<\/a> <\/br>\r\nLocation: Santander,Spain <\/br>\r\nYear: 2023 <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Daniel Mod\u00f2l urbanism+architecture<\/a><\/br>\r\nPhotography: Jordi Bernad\u00f3<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n nterview by Marta Bug\u00e9s<\/a>.<\/br>\r\nFilmed by Rub\u00e9n Molina.<\/br>\r\nEdited by Evgenyia Barashkova. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Austin Maynard Architect<\/a> <\/br>\r\nLocation: Melbourne, Australia <\/br>\r\nArea: 597 m2<\/sup><\/br>\r\nYear: 2021<\/br>\r\nPhotography: Derek Swalwell<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview by Ricardo Devesa<\/a><\/br>\r\nFilmed by Rub\u00e9n Molina<\/br>\r\nEdited by Evgenyia Barashkova <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: XJ Design Vision Shma<\/a><\/br>\r\nPhotography: ARCH-EXIST <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Research by Luca Viverito and Dillon Marlow, developed during the SocioEcological Urgencies [time in the Anthropocene] studio at Pratt Institute. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects:\u202fAMB<\/a> (Blanca Noguera)<\/br>\r\nPhotography: Sim\u00f3n Garc\u00eda<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview by Marta Bug\u00e9s\r\nFilmed by Rub\u00e9n Molina and Gabriel Sastre\r\nVideo edition by Evgenyia Barashkova\r\n\r\nSpecial thanks to the Col\u00b7legi de Camins for facilitating the recording of this interview. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay excerpted from Iaac Bits 10: Learning Cities <\/a> by Areti Markopoulou, published by Actar Publishers<\/a>.\r\n\r\nLearn more: \r\n \"\" <\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects:\u202fAMB<\/a>(Jos\u00e9 Alonso)<\/br>\r\nPhotography: Judith Casas <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Data analysis excerpted from Urban Mix<\/a> by St\u00e9phane Lemoine, published by Actar Publishers<\/a>.\r\n\r\nLearn more: \r\n\"\" <\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: emir architectes<\/a><\/br>\r\nPhotography: Karina Castro<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects:\u202fAMB<\/a> (Aida Muns\u00f3, Francisco Javier Navarro)<\/br>\r\nPhotography: Adri\u00e0 Goula<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: BE_design<\/a><\/br>\r\nPhotography: Bruce Engel <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: pepelacruzarch<\/a><\/br>\r\nLocation: Barcelona, Spain<\/br>\r\nArea: 72.500 m2<\/sup><\/br>\r\nYear: 2021 <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Project idea by Carlo Ratti Associati<\/a> <\/br>\r\nLocation: Trieste, Italy <\/br> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Waechter Architecture<\/a><\/br>\r\nPhotography: Lara Swimmer<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Amado Mart\u00edn (JPAM City Makers<\/a>) and Miquel \u00c0ngel Sala (Masala Consultors<\/a>)<\/br>\r\nPhotography: Jordi Surroca<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay by Eduardo Prieto, excerpted from number 386 of Revista Arquitectura<\/a>, edited by Javier Garc\u00eda-Germ\u00e1n and Alejandro Valdivieso, co-edited by Stan Allen and Luis Rojo, published by Colegio Oficial de Arquitectos de Madrid (COAM)<\/a>. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Author: Francesco Rossini, Associate Professor - School of Architecture CUHK<\/a>\r\nProject Team: Francesco Rossini, Tongyun Zhu Terrie<\/br>\r\nLocation: Hong Kong<\/br>\r\nYear: 2023<\/br> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: Manuelle Gautrand Architecture<\/a><\/br>\r\nPhotography: Nils Koening, Sara Vita and Brett Boardman <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: NORD Architects<\/a> and 3RW arkitekter<\/a><\/br>\r\nLocation: T\u00f8nsberg, Norway<\/br>\r\nArea: 12,000 m2<\/sup><\/br>\r\nYear: 2019 <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview and filmed by Pauline Personeni. \r\nFilm editing by Evgeniya Barashkova. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: wUrck<\/a><\/br>\r\nPhotography: Aiste Rakauskaite Photography <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: DATAAE<\/a>, NARCH<\/a>, maira arquitectes<\/a><\/br>\r\nPhotography: Adri\u00e0 Goula<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay by Mart\u00edn Gull\u00f3n Santos <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: DATAAE<\/a> and Xavier Vendrell Studio<\/a><\/br>\r\nPhotography: Adri\u00e0 Goula<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: XDGA<\/a> and Topotek 1<\/a><\/br>\r\nLocation: Offenbach am Main, Germany<\/br>\r\nArea: 27,650 m2<\/sup><\/br>\r\nYear: 2023 <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Interview by Javier Garc\u00eda-Germ\u00e1n and Alejandro Valdivieso.\r\nContent editing by Gabriel Sastre.\r\nFilm editing by Evgeniya Barashkova. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: U \/ U studio<\/a><\/br>\r\nPhotography: Ji\u0159\u00ed Kotal<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: OSS Office for Strategic Spaces<\/a><\/br>\r\nPhotography: Simona Rota<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Essay by I\u00f1aki Alday, excerpted from Cities & Rivers<\/a> by aldayjover architecture & landscape,\u00a0published by Actar Publishers<\/a>. <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n
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\n \n Architects: ALTA<\/a> and Aterlier 56S<\/br>\r\nPhotography: Charly Broyez<\/a> <\/a>\n <\/div>\n \n \n <\/div>\n \n <\/div>\n<\/div>\n\n\n